How To: Art Made Together with Non-Human Animals
How to Collaborate with other Species: A Beginners Compendium
By Michael Godwin Sam McKye (05/09/06 14:38:05)
Definitions: You are the instigator, your target species the collaborator.

First, assess you and your collaborators assets.
Visual – if both parties can see
Auditory – if everyone can hear
Tactile – if nerve ending > 2
Conceptual – if abstract thought is sufficiently developed

A closer inspection of assets reveals many steps to consider for collaboratory possibilities or pitfalls.

Visual
* Can both parties perceive colors, if so which ones?
* How about brightness?
* Consider infra and ultravision.

Auditory
* Physical constraints of amplitude and wavelength?
* Are you hearing all the sounds you are producing, is your collaborator responding to the sounds you think they are responding to.
* Consider patterns and rhythm, silence as well as sound. Can you add to or complement your collaborator's contribution?
* Does each party have a language? Is it possible to discover / formulate a common language?

Tactile
* Touch, and all its permutations.
* Be sensitive to interspecies thresholds and tolerances – loud can be painful.

Conceptual
* While humans have a tendency to conceptualize their artistic collaborations, it should be known that other species have progressed beyond such plebeian pursuits.



Once the potential sensory zones have been determined, how to produce a unique collaboration?

* Consider an intermediary if there is little or no overlap in your shared sensory zones. This could be another organism or perhaps some sort of tool – analog or digital.

* Consider that communication from one party may be interpreted by the other party in a completely different “sensory sphere.” For example, ultrasound may “feel” (tactile) to a recipient, while the instigator is utilizing auditory communication.

* Be particularly aware that interpretation of one species signal may be different than the intended meaning.

* Be aware of preferred spheres of communication. Some like tactile, some like auditory – research into intraspecies dynamics can be helpful for further understanding.



Next step is to go wild. Attempt interaction between collaborator and instigator. Play it safe – while fangs, claws, spines, tentacles, neuro-toxins, bad breath, lawyers, razor-sharp talons, beaks, severe constriction, plagues, and venoms don't kill, upset organisms may.


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